
Single-Story.
I put my family name on the sign. That's most of what keeps the standard where it is.
Talk to Aaronor call (972) 528-5668
Making the footprint work
Size is usually decided by the lot, the setbacks and the budget, in that order. The plan has to answer all three.

Nothing gets covered that I wouldn’t be comfortable looking at in five years. If something needs to be redone, it gets redone before the drywall goes on.
Selections are where schedules quietly die. Cabinets, tile, stone, plumbing fixtures and lighting all carry lead times, and a single backordered item can idle a crew for weeks. I front-load those decisions and keep a running list of what has been ordered, what has arrived and what’s still open. It’s unglamorous project management and it’s most of the difference between a build that lands near its date and one that drifts by a season. You’ll always know where yours stands, because I’d rather tell you early than explain later.

I price the site work honestly, including the parts nobody enjoys paying for. Dirt, drainage, drives and utilities are where the surprises live, and I’d rather put real numbers on them in month one.
Framing is where a house stops being a drawing. It’s also the last moment when changes are still reasonable, which is why I want owners walking the frame with me while the structure is open. You can stand in the room and understand the ceiling height in a way no elevation communicates. You can see where the light actually falls in the afternoon. Moving a window while the wall is open is a conversation. Moving it after drywall, paint and trim is demolition, and everyone in the process pays for it in time as well as money.
Wood, stone and steel all start imperfect. The job is refining them, not pretending otherwise.
That’s the standard, and it doesn’t move depending on the size of the job.
You’ll see the house at every stage, and I want you on site during framing especially. That’s the window where changes are still cheap and still possible.

The walk-through isn’t the end. There’s a punch list, and then there’s the first year, when a new house dries out and settles and reveals the things that only appear under real use. Nail pops, a door that needs adjusting, a grout line that wants attention. I expect those calls and I answer them. A builder who disappears at closing was never really building for you; he was building to hand something over.
A custom home is a long relationship with whoever builds it. You’ll talk to me more in eighteen months than you talk to most people in your life, and a good portion of those conversations will be about things that didn’t go to plan. That’s normal. Weather moves, materials arrive damaged, an inspector reads something differently than expected. What matters is whether the person telling you has a plan attached to the news, and whether the same person is still answering the phone a year after you move in. One family has brought me back for a fourth project. That only happens if the earlier ones went right.
Existing structures complicate everything. A teardown means demolition, disconnects, and finding out what is actually under the old slab, which is never what the survey said. Budget the unknown honestly or the first month eats the contingency you were saving for finishes.

1The lot
Before anything is drawn I want to stand on the lot with you and talk about what it's actually going to cost to build here, starting with the dirt.

2The plan
Design happens against the real site, not a generic rectangle. You see the envelope, the constraints and the honest cost of the choices that are hard to reverse.

3The numbers
You get a breakdown you can actually read, with the unglamorous items priced rather than buried in an allowance nobody explains.

4The dirt
Pad, drainage and foundation. The least photogenic phase and the one that decides whether the house is still square in twenty years.

5The frame
Structure goes up and the house becomes real. This is when I want you on site often, because changes are still possible and still cheap.

6The finish
Everything you'll actually put your hands on. It moves slowly on purpose, because rushed trim work shows for as long as the house stands.

7The keys
We walk it together, write down what isn't right, and I fix it. Then I'm still reachable through the first year while the house settles.
Owners are on my sites regularly. The framing window is the one I push people to attend, because seeing the volume changes decisions.
From my jobs






Every home with photography has its own page in the portfolio.
Underneath the finishes
Framing, foundation and thermal work from real jobs. If a builder won’t show you this, ask why.






Related work and where I do it
Questions I get asked
What does single-story involve?
Size is usually decided by the lot, the setbacks and the budget, in that order. The plan has to answer all three. On my jobs that means a site walk before plans are final, honest site-cost numbers early, and a framing stage you’re invited to walk with me.
How do you price it?
Site work, foundation, framing and finishes get priced as separate realities so you can see where the money actually goes. I don’t bury the unglamorous line items.
Can I change things during the build?
Yes, and the cost of doing so climbs steeply after framing. That’s why I want you on site early, when a change is a conversation rather than demolition.
Who does the actual work?
Trades I have worked with for years. I don’t rebid every job to the lowest number, because the savings come back as callbacks.
Do you work outside Garland?
Across 6 counties in the DFW area. I take jobs I can get to often enough to actually be on them.
What if something goes wrong?
You hear it from me first, with the plan to fix it in the same conversation.
Talk to me about single-story
Bring me the lot or bring me the plans. Either is a place to start, and a first conversation costs nothing.
