Mediterranean.

I keep the number of concurrent builds low on purpose. Being on the job is the entire value of hiring a builder rather than a broker.

Change orders aren’t inherently bad. They are how a house adapts to what you learn while standing in it. What is bad is a change order you find out about after the work is done, or one priced as a favor and settled at the end. Mine are written before the work happens, with the cost and the schedule impact stated, and you sign them or you don’t. That’s it. It keeps the conversation about the house rather than about the invoice.

I keep the number of concurrent builds low on purpose. Being on the job is the entire value of hiring a builder rather than a broker.

Mechanical, electrical and plumbing get coordinated before anyone cuts anything. Where the ducts run, whether the trusses can carry them, where the panel sits and how far the longest plumbing run has to travel. Done early, on paper, it costs a few meetings. Done in the field by whoever shows up first, it produces drilled structural members, soffits nobody planned for, and rooms that are colder than the rest of the house for reasons no one can trace.

I will tell you about the mistake before you find it. That's the whole arrangement.

I’d rather over-explain this early than have you learn it the hard way.

You’ll see the house at every stage, and I want you on site during framing especially. That’s the window where changes are still cheap and still possible.

A custom home is a long relationship with whoever builds it. You’ll talk to me more in eighteen months than you talk to most people in your life, and a good portion of those conversations will be about things that didn’t go to plan. That’s normal. Weather moves, materials arrive damaged, an inspector reads something differently than expected. What matters is whether the person telling you has a plan attached to the news, and whether the same person is still answering the phone a year after you move in. One family has brought me back for a fourth project. That only happens if the earlier ones went right.

Roof geometry does more work than almost any other decision. It sets the massing you see from the street, the volume you feel inside, where water goes, how much attic you have and what your framing costs. A complicated roof photographs beautifully and introduces valleys, which are where roofs leak. I’m not against complexity, but every plane should be there for a reason you can name. The simplest roof that gives you the rooms you want is almost always the one that ages best.

Slope is the difference between a slab and a much larger number. A lot that falls three feet across the building pad can mean retaining, extra fill, a stepped foundation or a walk-out basement that turns out to be the best room in the house. Which of those you get is a design decision, and it is cheaper to make it before the plans are done.