
Luxury Finishes.
I put my family name on the sign. That's most of what keeps the standard where it is.
Talk to Aaronor call (972) 528-5668
The work around the build
Most of what determines whether a build goes well happens on paper, or in a conversation, long before a truck shows up.

I keep the number of concurrent builds low on purpose. Being on the job is the entire value of hiring a builder rather than a broker.
Framing is where a house stops being a drawing. It’s also the last moment when changes are still reasonable, which is why I want owners walking the frame with me while the structure is open. You can stand in the room and understand the ceiling height in a way no elevation communicates. You can see where the light actually falls in the afternoon. Moving a window while the wall is open is a conversation. Moving it after drywall, paint and trim is demolition, and everyone in the process pays for it in time as well as money.

The trades who do this work have been with me for years. I don’t put a job out to the lowest bidder and hope. The cheapest framer is expensive twice.
Roof geometry does more work than almost any other decision. It sets the massing you see from the street, the volume you feel inside, where water goes, how much attic you have and what your framing costs. A complicated roof photographs beautifully and introduces valleys, which are where roofs leak. I’m not against complexity, but every plane should be there for a reason you can name. The simplest roof that gives you the rooms you want is almost always the one that ages best.
I don't chase the lowest bid on trades. The cheapest framer is expensive twice.
It costs a little more attention up front and saves a great deal later.
I keep the number of concurrent builds low on purpose. Being on the job is the entire value of hiring a builder rather than a broker.

Weather is the variable nobody controls. A wet spring can cost weeks on dirt work before the pad is even ready, and there’s no version of the job where you pour a foundation into saturated ground and get away with it. I build float into the schedule for exactly this, and when it runs out I tell you rather than quietly compressing the finish phase to protect a date. A house rushed through trim and paint shows it for the next thirty years.
Mechanical, electrical and plumbing get coordinated before anyone cuts anything. Where the ducts run, whether the trusses can carry them, where the panel sits and how far the longest plumbing run has to travel. Done early, on paper, it costs a few meetings. Done in the field by whoever shows up first, it produces drilled structural members, soffits nobody planned for, and rooms that are colder than the rest of the house for reasons no one can trace.
Utility service is the item people never price. If the meter is at the road and the house sits two hundred feet back, that trench costs real money, and it has to be coordinated with the drive and the drainage so nothing gets dug twice. On acreage you may be looking at a well, a septic field and a longer electrical run than the house itself needs.

1The lot
We walk it together. Grade, drainage, trees, access, where the sun comes from. I tell you what the site will and won't allow before anyone draws a plan.

2The plan
This is where we decide the things that can't be undone later: where the house sits, which way it faces and how the rooms stack.

3The numbers
A real budget separates what the dirt costs from what the house costs. Most surprises in this business are site surprises, so that line gets honest numbers first.

4The dirt
Clearing, cut and fill, drainage structures and the slab. Nothing here shows up in a photograph and all of it determines how the house ages.

5The frame
The skeleton goes up and suddenly the plan is a building. It's also the last cheap moment to move a window or raise a ceiling.

6The finish
Everything you'll actually put your hands on. It moves slowly on purpose, because rushed trim work shows for as long as the house stands.

7The keys
Handover, punch list and the first-year calls that come after. A builder who disappears at closing was never really building for you.
Drop in any time. During framing I'd rather you came twice, because a change then is a conversation instead of a demolition bill.
From my jobs






Every home with photography has its own page in the portfolio.
Underneath the finishes
Framing, foundation and thermal work from real jobs. If a builder won’t show you this, ask why.






Related work and where I do it
Questions I get asked
What does luxury finishes involve?
Most of what determines whether a build goes well happens on paper, or in a conversation, long before a truck shows up. On my jobs that means a site walk before plans are final, honest site-cost numbers early, and a framing stage you’re invited to walk with me.
How do you price it?
Site work, foundation, framing and finishes get priced as separate realities so you can see where the money actually goes. I don’t bury the unglamorous line items.
Can I change things during the build?
Yes, and the cost of doing so climbs steeply after framing. That’s why I want you on site early, when a change is a conversation rather than demolition.
Who does the actual work?
Trades I have worked with for years. I don’t rebid every job to the lowest number, because the savings come back as callbacks.
Do you work outside Garland?
Across 6 counties in the DFW area. I take jobs I can get to often enough to actually be on them.
What if something goes wrong?
You hear it from me first, with the plan to fix it in the same conversation.
Talk to me about luxury finishes
Bring me the lot or bring me the plans. Either is a place to start, and a first conversation costs nothing.
